
Sketch pad page from a vocal record for the Lazlo pilot. I was trying to nab Tom Kenny’s body language when he did Lumpus. ( Thats supposed to be Lumpus jutting his hips and stomach out, not an overly excited Lumpus.) I was also inspired by Jeff Bennetts read of Raj for this scene where he’s climbing into the boat.
Sometimes perceived failures are just stepping stones on a fruitful journey.
While I was giving one of my talks on Monday to the animation classes, I was describing my repeated attempts in my late teens and early twenties to get a comic strip syndicated. I must have come up with 5 or 6 different features that all met with rejection. Back then you were expected to submit about a months worth of dailies and Sundays to show where you can go with the idea. Each submission I feel got better, and I was usually sent a personal letter of encouragement from the editor of the syndicate along with their rejection. The last one suggested I try animation instead, but at the time I wasn’t ready to listen.
All I could see was the big “L” for loser on my forehead.
It was shortly after that I decided to stop chasing something and do whatever I loved doing. And that’s how I found animation.
But the big “A Ha” moment came when I was talking to one of the classes about it, is that those rejected comic strips I produced gave me so much practice and insight into what makes a character work, how they interact with each other and such, that it helped me attain skills for animation and doing my shows in television.
And if I had gotten syndicated, I maybe would have never found animation, which has been my true calling and the perfect place for me to combine all the things I love: Story, character, movement, music and sound!
I think if you look deeply you can find the light in the darkest places. And sometimes it hits you at the oddest times.